– Operating Relative Humidity: 10-90 percent noncondensing – Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) – Dual, redundant, 5.4A max, 35W-60W typical-65W Max – Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays – Dedicated, backlit transport controls and menu buttons – 1 x DE-9 female connector, SONY 9-pin serial protocol – Configuration and Transport Control via WEB Interface – Clip upload/download via Web Interface in DATA-LAN mode – Video Confidence Monitor via Web Interface – Embedded web server for remote control via REST – 2-Channel unbalanced 2 x RCA connectors – 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1 x DB-25 TASCAM pinout) – Stereo unbalanced headphone jack (1 x 3.5mm jack) with volume control – +/- 0.2 dB 20 Hz to 20 kHz frequency response – 8-Channel, 24-bit A/D analog audio, 48 kHz sample rate (1 x DB-25 TASCAM Pinout) – 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout) – 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous – 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous – Dual Channel fiber output – (2 x Ports) SFPs required (not supplied) – 1 x HD-SDI monitor output with support for up to 2048 x 1080 4:2:2 – Dual Channel Fiber Input (2 x Ports) SFPs required (not supplied) – 4K/UltraHD HFR 3.0Gb/s Level B 2SI (4 x BNC) – 4K/UltraHD HFR 3.0Gb/s Level A 2SI (4 x BNC) *NOTE: 4K/UltraHD 50, 59.94, 60 ProRes 422 (HQ) recording requires genuine AJA Pak1000 media – 2 x slots, AJA Pak SSD media Pak256, Pak512, Pak1000* *NOTE: Apple ProRes 4444 4K/UltraHD/2K/HD up to 30 fps *NOTE: 25 and 29.97 requires Record Type>PsF selection Included carrying handle also allows easy portability. – Standard 2RU high, 1/2 rack width, allows easy side-by-side rackmounting. – Dual redundant 12V power inputs with locking 4-pin connector (one 12V power supply included). – RS-422 control for easy integration with supported editing systems and external controllers. – A rotary selection knob for quick, accurate adjustment of configuration and settings. – Integrated web-based UI for complete control across the LAN on any web-browser. – Intuitive menu structure and confidence monitoring on a built-in 4.8″ 720p LCD display. – “Always-on” high-quality 4K/UHD to HD down-conversion. – All outputs are active all the time, for massive output and monitoring capabilities. – Professional connectivity with 3G-SDI, Fiber and HDMI inputs and outputs, AES and analog XLR balanced audio, LTC, RS-422 and LAN. – Extremely fast media changes and Rollover recording with twin media drive bays. – Records 4K/UltraHD and 2K/HD sources directly to reliable and affordable AJA Pak SSD media, at capacities up to 1 Terabyte. – Apple ProRes support, including up to ProRes 4444. – Supports recording and playback of 4K/UHD resolutions up to 4K 60p. Ki Pro Ultra offers flexible input and output connectivity including 3G-SDI, HDMI and even Fiber, for powerful and efficient large-raster and high-frame rate workflows.ĭesigned to be both portable with a built in carry handle or rack-mountable with half-rack wide 2RU high dimensions, Ki Pro Ultra suits a wide range of production and post environments. Ki Pro Ultra is a next generation file-based 4K/UltraHD/2K/HD video recorder and player with a built-in HD LCD monitor capable of capturing edit-ready Apple ProRes files in a range of video formats and frame rates up to 4K 60p.
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